
The
Washington Journalism Review said Jim Bellows is
the editor with the longest resume in journalism.
The Last Editor is a compelling documentary film about legendary
newspaper editor Jim Bellows. The film features many of today's top
writers and artists who worked with Jim -- a Who's Who of contemporary
journalism -- including Jimmy Breslin, Tom Wolfe, Art Buchwald, Bob
Novak, Ben Stein, Gail Sheehy, Paul Conrad, Jack Germond, Barbara
Howar, Leonard Maltin, David Halberstam, Pat Oliphant, Dick Schaap,
Caroline Graham, Diana McLellan, Diane K. Shah, Richard Wald, Marcia
Bullard, Mary Anne Dolan, David Burgin and Walter Anderson.
Jim Bellows was the runt growing up. He was shy and insecure. Sometimes
those experiences crush kids. Jim's story is about how those experiences
strengthened and motivated him and prepared him for the things to
come. During his career, he was a maverick. A fighter. But he knew
which battles to choose.
He almost got kicked out the Navy
twice. He is a notorious mumbler
who relies on body language and gestures to help people decipher
what he's saying. Jim brought passion to the newspapers he led. He
brought innovation and boldness to the look and words. He encouraged
colorful writing, breaking the mold of traditional reporting and
layouts with new ideas that are the norm of many newspapers today.
He was also an early advocate for women reporters and promoted many
to positions of authority in his newsrooms.
The film exposes the battles Jim Bellows faced as editor of the "second
paper" in town and the controversies he was often involved in.
The film also covers the decline of the American newspaper, as seen
through the prism of Jim's extraordinary experiences in the media
business throughout the second half of the 20th Century. We recount
some of Bellows' legendary adventures since, unlike his cautious
journalistic adversaries, he was devoted to bringing passion and
fun to journalism. The film will bring to life:
the famous flare-up between the New York Herald Tribune
and The New Yorker, with Tom Wolfe recalling how his
articles created an explosion in the literary community;
the time Jim Bellows, as a cub reporter, was drugged by the
KKK, and the national attention that the controversy received;
Louise Lague and Diana McLellan telling how Bellows inaugurated
"The Ear," a wildly popular gossip column in The Washington
Star that needled the "O.P." (other paper) and Washington's
power elite;
how the L.A. Herald Examiner focused on the outrage
after two cops emptied their guns into a woman over the issue of an
unpaid $22.09 gas bill...And how Jim brought fun to the press with
his coverage of Bubbles, the escaped hippo who roamed the hills in
a quest for freedom;
the Trib ad campaign, "Who Says a Good Newspaper
has to be Dull?" developed by Paul Keye and others at Papert
Koenig & Lois, that needled the stately New York Times;
Jimmy Breslin talking about how his work covering the underside
of New York City in the Herald Tribune prompted The New
York Times to beef up its local coverage;
the collision between Jim and Star publisher Joe Allbritton
over Joe wanting to run a front page endorsement of President Ford
after dinner at the White House;
various editors discussing the subservience of newspaper editors
to publishers as the focus is on declining profits and readership
rather than the declining quality of journalism.
Despite all his passion, creativity and great writers, the three
newspapers Jim edited folded; victims of labor union strife, the
reluctance of owners to dig deep and the rise of TV news and the
Internet as rival sources of information. Bellows then joined "the enemy"
in both television and the Internet. He didn't just switch jobs.
He switched industries and technologies. Why?
The decline of the newspaper is an important story. The newspaper
is a fundamental American institution. It is a source of freedom
it
is the way our values are passed from one generation to the next
it
is part of the growing-up experience of every mature citizen. Most
cities in America are reduced to a single voice, one newspaper, which
denies the public a mixture of voices necessary to an understanding
of public issues.
Just as a light bulb has a final burst of brilliance before it goes
out, Bellows created a special incandescence with his papers before
they died. He brought a quality of writing and design that lengthened
their final days. As Jim said, "If I don't cure 'em, I certainly
brighten up their declining years."
Jim influenced the look of newspapers, TV and Internet news. In the
film, he discusses today's media environment and gives his own view
of the future of the newspaper industry. Witness the adventures, fun
and excitement Jim Bellows brought to and found in his work and life.
This is his story.
From the producers of
THE LIVING CENTURY
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